The multitudes of mourners gave the police a hard time to control in the face of the Covid_19 pandemic. Some of the people in attendance predominantly the youths could be seen standing or seated on top of tombstones belonging to other people buried at the site.
Dambudzo and Saul were crackerjack masters of their crafts who were as unpredictable in creations as in personality. They both were bravura players that rarely separated their art from their lifestyles.
lad in a blue suit escorted by several bouncers who struggled to clear the path for him to walk as people mobbed him. The moment he got on stage i felt something that up to today i cant describe. SoulJah Love had such an amazing presence that you could physically feel from afar.
There was some pushing and shoving (backstage) and to iOCTANE obviously seemed to him that people (referring to my security who were denying him (Souljah Love access) did not want him and when he was told its Souljah Love ” I had spoken to iOCTANE before the show at hotel he then said to security let him come on stage.
Anyone who will come and try to pen down the history of Zimbabwean music without mentioning SOUL JAH LOVE should know that is committing a severe historical mistake, choreographing facts, and the Zimbabwean people will have no respect for such nonsense, but call it, “A Piece of sublime mysticism, and nonsense!”