In recent months, the Doek and Slay event has emerged as a significant cultural phenomenon in Zimbabwe, not only empowering women but also creating a business boom for the fashion and clothing industry, particularly benefiting small to medium entrepreneurs.
By Plot Mhako
This unique event has become a driving force behind increased sales for fashion retailers, with each edition of Doek and Slay generating a surge in demand for specific clothing items, head wraps (doeks), and accessories.”
A Slay Code that Drives Demand
One of the distinguishing features of Doek and Slay is its “Slay Code,” a set of guidelines that define the required attire, colors, and styles for each event. The Slay Code is meticulously curated for every edition, dictating the form of clothes, specific colors, and the style of the head doek and pair of glasses that participants should wear. This code has created a unique niche market for retailers, particularly for cross-border traders known as “Runners,” who have become indispensable in securing and providing these on-demand items.

The impact of the Slay Code is palpable; in the lead-up to every edition of Doek and Slay, specific attires and accessories defined by the code often sell out completely.”
Retailers, particularly those who market their products on WhatsApp and other social media platforms, have seized this opportunity, directly targeting the event’s fans with tailored offerings. These entrepreneurs have honed their ability to quickly adapt to the demands of the Slay Code, ensuring that they can supply the exact items that participants need to adhere to the event’s strict dress code.

A Boon for Small to Medium Enterprises
The success of Doek and Slay has been a significant boon for small to medium enterprises (SMEs) in Zimbabwe’s fashion sector. For many of these businesses, the event represents a substantial portion of their annual revenue. The surge in demand for Slay Code-specific items has also led to the emergence of a new breed of fashion retailers who operate predominantly on digital platforms like WhatsApp, where they can quickly and efficiently reach their target market. These SMEs and cross-border traders, often working within tight timeframes, have capitalized on their ability to source and deliver high-demand items. Their swift response to the Slay Code has not only bolstered their businesses but also reinforced the importance of adaptability and customer responsiveness in the retail sector.


Empowering Women Through Fashion
Beyond its economic impact, Doek and Slay is a celebration of women’s empowerment, personal development, and self-care. The event was conceived with the idea of supporting women by encouraging them to love and uplift each other. The Slay Code, while driving business for retailers, also serves as a symbol of unity and pride among the women who attend. It’s not just about the clothes; it’s about mending each other’s crowns and creating a space where women can come together to unwind, have fun, and celebrate their individuality.

At each event, participants are treated to a host of activities designed to foster a culture that values and supports women. Motivational speakers share insights on personal growth, while networking opportunities allow women to connect with one another, share experiences, and build lasting relationships. The atmosphere is one of camaraderie, with an abundance of groove, laughter, and joy.
Creating a Welcoming and Open Environment
The main objective of Doek and Slay is to create a welcoming and open environment where women can relax, socialize, and prioritize their well-being. In a world where the demands on women can often be overwhelming, this event offers a much-needed respite—a day dedicated to self-care, empowerment, and community.

Doek and Slay is more than just a fashion event; it’s a movement that is reshaping the fashion retail landscape in Zimbabwe while promoting the values of empowerment, personal development, and self-care among women. As it continues to grow in popularity, the event is likely to further solidify its role as a key driver of economic activity in the fashion sector, particularly for small to medium entrepreneurs.”
Credit for all images: Does & Slay
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Founder of earGROUND, Jibilika and Amplifaya Festival. Creative entrepreneur, cultural producer, award-winning journalist, arts community champion with two decades of dedicated experience.


