At the recently concluded 34th edition of the SADC Meeting for Ministers of Education and Training, Science, Technology, and Innovation held in Harare, music emerged as a unifying force — bridging cultures, nationalities, and generations across the 16 member states.
By Dickson Bandera
While the four-day conference focused primarily on strategies to improve the region’s education systems — with particular emphasis on science, technology, and innovation — music carved out its own space, playing its part beautifully in fostering connection, expression, and cultural resonance.
Hope Masike, Zimbabwe’s acclaimed and internationally celebrated music icon, brought the curtain down in spectacular fashion with a performance that was both soulful and electrifying. Her dynamic stage presence and infectious energy had SADC delegates on their feet — clapping, dancing, and rejoicing in the region’s diverse cultural heritage. What began as a formal gathering was transformed into a spirited celebration of rhythm, identity, and continental unity.
With her signature fusion of traditional Zimbabwean sounds and contemporary flair, Masike delivered a set that included mbira-led pieces, spirited renditions of mbakumba and other local dances, and songs that resonated deeply with the African spirit.”
Students from the Seke Teachers College choir joined her on stage, seamlessly complementing her performance with energetic dances that added rhythm and vibrancy to the showcase.
Dressed in elegant traditional attire — a striking blue dress paired with an Afro-inspired headwrap that proudly reflected her African identity — she invited delegates to the stage, transforming the moment into a powerful celebration of cultural pride and continental unity.
The moment was more than entertainment—it became a powerful cultural statement in the context of a conference that emphasized the importance of heritage and indigenous knowledge in education systems across the region.
On the significance of her performance, she emphasized that the mbira plays a vital role in educating others about Zimbabwean culture.
“I see myself as a custodian of Zimbabwean culture, particularly the mbira tradition. Showcasing it here goes beyond entertainment — it’s edutainment. It’s not just good music; it’s a platform to share and celebrate who we are,” said Masike.
She further highlighted the cultural and economic potential of mbira music in promoting pan-African exchange.
“This is a powerful space for sharing — sharing ideas, sharing opportunities for intra-African trade, and doing so through culture,” she noted.
Masike also described mbira as a national treasure that should be both preserved and utilized to benefit Zimbabweans.
“Mbira is our heritage. We should be exploring profitable ventures around it — protecting it, preserving it, and reinventing it with fresh sounds and access to new markets,” she said.
She acknowledged growing efforts to mainstream the instrument, noting a marked improvement in recent years.
“Where we are today compared to five, ten, even twenty years ago is a massive leap forward. The progress is undeniable,” Masike observed.
Who is Hope Masike?
Often referred to as the “Princess of Mbira,” Hope Masike is one of Zimbabwe’s most dynamic contemporary musicians. She has released four critically acclaimed albums and has toured globally, performing at major festivals in Europe, Asia, and Africa. A multi-instrumentalist, she is best known for her mastery of the mbira—an ancient Zimbabwean thumb piano—but also integrates modern instruments to create a globally appealing Afro-fusion sound.
Beyond music, Masike is also a published author with four books to her name, spanning love, empowerement and cultural commentary. Her work champions African identity, women’s empowerment, and the preservation of traditional knowledge.
Masike is a cultural ambassador who uses her platform to promote arts education, indigenous languages, and artistic freedom. She has received numerous accolades, including the NAMA Award for Outstanding Female Musician and international recognition for cultural preservation through music.”
Pics: Regis Chikwizo Reels
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