Online PIRACY: A ZIMBABWEAN STATISTICAL perspective #Earground

The advantages of online piracy to artists in Zimbabwe are well documented. Arguably, many Zimdancehall artists acknowledge that their rise to fame was partly attributable to both offline and online piracy. Continue reading Online PIRACY: A ZIMBABWEAN STATISTICAL perspective #Earground

Crisis of paralysis and the music industry in Zimbabwe _ #Earground

Fourth, music in Zimbabwe has no sustainable structures to support and sustain new talent. We welcome new talent but, in most cases, talent wilts away. This is largely because of a lack of knowledge of the industry itself. The general conclusion is that apera “their career is over”. But that’s another debate for another day. Continue reading Crisis of paralysis and the music industry in Zimbabwe _ #Earground