Let it go on record that no other cultural movement has been both definitive and reflective of 21st century urban Zimbabwean life than mangoma. Since earnest inception in the mid 2000s, it has been defiant, irreverent, passionate, and philosophical.Indeed, I would argue that even the unsavory elements within the genre that rouse the scorn of many a lay pundit are worth their place within our societal discourse, as they often hold up an ugly mirror on society. Here are ten poignant life lessons and affirmations the genre has offered up in its short existence.

hey are connected to other Warriors in other towns and cities and other Road Warriors (vanoisira vanhu music mumaPhone) who then export the music further afield. They have the goodwill of promoters, music producers, artists managers, and artists. They don’t only push the songs but videos, news, and help promote shows. They have their own value chain deep-rooted in piracy, affiliation and proximity to musicians which gives them powerful street cred.