The Yale School of Art is pleased to announce the appointment of Nontsikelelo Mutiti to the faculty as the Director of Graduate Studies in Graphic Design. Set to begin her appointment this August, Mutiti will become the third director of the graphic design program, following Professor Sheila Levrant de Bretteville’s historic thirty-two year tenure.

Mutiti is a Zimbabwean born designer, visual artist, and educator whose conceptual approach to design spans the mediums of print, moving-image, web design, fine art, and community engagement.

Source https://www.art.yale.edu/news

The Yale School of Art is the art school of Yale University. Founded in 1869 as the first professional fine arts school in the United States, it grants Masters of Fine Arts degrees to students completing a two-year course in graphic design, painting/printmaking, photography, or sculpture.

Mutiti maintains a research based studio practice through which design commissions and independent projects are both facilitated, foregrounding research, experimentation, and learning with colleagues and mentees.

Mutiti considers her teaching practice an extension of her studio practice, and strives to bring the same interdisciplinary and opportunities for collaboration to her students. A graduate of the School of Art, Mutiti says that her intention as Director of Graduate Studies is to ensure that “…the students of this venerable program receive an education unrivalled in vision, breadth, and relevance—one that challenges them to exceed their own aspirations. Pursuing this means that the program itself will continue to promote and advance the creative flourishing of the art and practice of graphic design internationally.” Mutiti has held assistant professorships at Virginia Commonwealth University and Purchase College, State University of New York.

ABOUT MUTITI

Mutiti holds a diploma in Multimedia from the Zimbabwe Institute of Vigital Arts (ZIVA) and an MFA in Graphic Design from the Yale School of Art. Her publication work includes: Studies into Darkness, Vera List Centre and Amherst College Press (2022); Àsìkò: On the Future of Artistic and Curatorial Pedagogies in Africa, designed in collaboration with Julia Novitch, CCA Lagos, Lagos (2017); The Anarchy of Coloured Girls Assembled in a Riotous Manner, broadsheet published for The Hugo Boss Prize 2018: Simone Leigh, Loophole of Retreat, The Solomon Guggenheim Museum, New York (2019); Some Writers Can Give You Two Heartbeats, Black Chalk & Co. New York, Richmond, Harare (2019); Strange Attractors, Berlin Biennial, Berlin (2018); Fordjour, Black Chalk & Co. New York, Harare (2017); Waiting Room Magazine for the Free People’s Medical Clinic, edited by Simone Leigh and produced for Funk, God, Jazz, and Medicine: Black Radical Brooklyn, New York (2014). Web-based projects include: thesojournerproject.com commissioned by the Practicing Refusal Collective, USA, with the support of Yale University and VIAD (https://www.viad.co.za/) (2021) and braidingbraiding.us (2015) in collaboration with Julia Novitch. Residencies and awards include: DAAD Artists-in-Berlin Program (2022); Berlin Artist Program, BKP (2021); Soros Arts Fellowship, Open Society Foundation (2019); History of Art: Women in Publishing, Center for Book Arts (2019). Recent group exhibitions include, TEXTURES: The History of Black Hair, Kent State University Museum (2021); Sampled Ground, DAADGalerie, Berlin, Germany (2021); BOXWALLPOTS, Stable, Washington DC (2021); Baltimore Museum of Art (BMA Salon), Baltimore, Maryland (2020); Living in America, ICPNY, New York (2020); Surfacing, Mono Practice, Baltimore (2020); Talking Pictures, The Metropolitan Museum of Art in New York (2017), On Visibility and Camouflage, We Buy Gold in Brooklyn, New York, Whitney Museum in New York (2016), and Salon Style, Studio Museum in Harlem (2015).